It was great to spend a little time and make a portrait today with Laura Fonner, the chef at Duners restaurant just west of Charlottesville Virginia. On the menu for this evening, handmade pepper pasta 8-)) Thanks as always to my wife Amy for the assist and C'Ville Weekly art director Bill LeSueur for the creative genius.
C-Ville Weekly recently put out an issue circulating 3 different covers featuring small business owners in Charlottesville Virginia. Each of the owners we photographed were engaging and nice. A real pleasure.
Lighting: ringflash as fill and a Profoto 22" soft light as the main. Camera: Canon 5diii. Lens: Canon 45mm ts-e. We used the shift feature with the camera horizontally and stitched together the 3 images giving a unique perspective and a larger more detailed image.
Thanks to our art director Max for his guidance. Jeff, George, and Laura for being easy and patient. And especially to www.amyjackson.co for your help and support.
This is Jeff Anderson owner of Fitzgerald Tire
This is George Swingler owner of Rose Hill Grocery
And this is Laura Conklin owner of Iron Wolf Fitness.
Amy Jackson and I had the opportunity the other day to photograph 2 amazing students from Charlottesville High School for the cover of C-ville Weekly. Kibiriti Majuto (pictured here) was kind, thoughtful and easy to work with. A refugee from the Democratic Republic of the Congo, he has become a leader in this community. Kibiriti is the senior class president at CHS, and the president of the schools Amnesty International Club. Read about the trip he led Washington DC to lobby for refugee rights here. Thanks Bill for your help and direction 8-))
We shot this image a little while back for the cover of the festival issue of C-Ville Weekly. The shoot was a lot of fun 8-)). The art director (Max March) brought the pink backdrop, and Max Miss Everything brought the dress, the cape, the patience, and the glamor. We used 2 lights on set. The main, a 20.5 inch Profoto Softlight and the fill, a Hensel ringflash to make the colors really pop. Thanks Amy www.amyjackson.co for your help, creativity, and support.
Really nice Shoot the other day for C-Ville Weekly. Robert showed up at the house with his daughter. He was so easy going and friendly. Thanks Bill for the creative direction, and of course Amy for the help www.amyjackson.co.
"What kind of Muppet are you, chaos or order?" Chaos Theory - A Unified Theory of Muppet Types is the Slate article Dahlia wrote that inspired this weeks cover of C-Ville Weekly. Dahlia was so nice and easy to work with. Obviously a pretty awesome person. Thanks Bill for the concept and dressing up as Cookie Monster. Here is some more of Dahlia's work with The Slate
The other day we had the opportunity to shoot Chief Longo over at the police station for the C'Ville Weekly (article here). We shot against a blank greenish colored wall using a Norman Tri Lite 2000 and a Canon 45mm TS-E lens. The Chief was straight forward and very easy to work with. I can't imagine what a difficult and demanding job he has. Anyways, we really enjoyed the shoot. Thanks Bill and Amy for the art direction and help. BTW - the Chief did his own hair. 8-))
Amy and I recently photographed 3 WWII veterans for the Charlottesville, Virginia weekly magazine, C'ville Weekly (Click on the images to see them bigger). It was so great to get a chance to meet these guys and hear a few of their stories. Thanks for giving us your time and hospitality. 8-))
Jack Bertram, a B-17 pilot in World War II, kept in touch with his crew throughout the years, through Christmas cards and letters, and also at yearly reunions for the 95th bomb group. He and bombardier Harry Hull, lifelong friends, are the last living members of their crew.
James “Monk” Bingler served in the 394th infantry regiment of 99th infantry division in World War II. Although fighting on the frontlines and being captured by the Germans left him with nightmares, he has been able to channel his experiences into positivity through his mission to help others.
Dr. Jim Kavanaugh served as a B-17 radio operator in World War. He says he only shared his stories with his family over the years if they asked. “But it seemed so encapsulated and increasingly distant to me that I couldn’t imagine that it would be of genuine interest to anybody, except maybe [at] these veteran gatherings, and even then you talk more freely to someone who’s done it because you don’t have to explain it.”
The AD (Bill LeSueur) on this shoot was interested in a dramatic image that highlighted our subjects head and his torso independently. The original idea was based on a comp Bill had showing a guy sitting on the ground with a spotlight shining down on him and the all of the shadows fading into a black background.
Here is the program description he sent me:
Annual health issue publishing a week from Tuesday.
Collection of pieces under the umbrella of a connection between mind and body.
I was reminded of a photo JFK, Jr. published in his political magazine "George", of himself naked (with an apple dangling over his head).
He was writing about temptation.
Wondered if we could photograph a beautiful bare male body in a similar way.
Dark background, Body largely in shadow, head (maybe in profile) and torso spotlit, emerging from shadow.
(mind and body...)
What do you think?
I loved the idea for the image, but thought that instead of having the shadows fade into blackness, it would be really nice to see the outline and form of the body.
To create the photo we used 4 strobes:
- 2 profoto strobe heads lit a white background, and were flagged so that there was no spill on our model (Eric). The background was obviously underexposed so that the white appeared grey.
- The spot light on his head was created with a medium 6 inch honey comb spot grid fitted onto a Norman strobe. This light was positioned almost directly above the model and shining straight down.
- The light on the torso was created using large 10 inch honey comb spot grid fitted onto a second Norman strobe. The light was positioned high, to camera left, and just slightly in front of the model, raking across his body.
While we were shooting the image, I had Eric stand really still while I took 2 frames. The first with all of the strobes firing, the second with only the background illuminated, giving me a silhouette. For the final image I used the silhouette in post to darken any areas that had more light on them than I wanted. Specifically his left arm and his pants. I also used it to create that shadow effect.
Anyway: thanks to Bill and Eric for a job well done. *-))
Stephen is putting together a film about his time and the people he was with in Afghanistan. He was a very engaging and open young man. Have a look at the teaser for his film.